“We Go Nightswimming,” Canthius, Issue 12 (2023, Second place winner of the Priscila Uppal Memorial Award for Poetry selected by Liz Howard)
“Hypnogely,” Reed Magazine, Issue 156 (2023, Finalist for the Edwin Markham Prize for Poetry judged by Juan Felipe Herrera)
“Self-Portrait as Cross Section of Tree Trunk,” Indiana Review, Vol. 45 No. 1 (Summer 2023, Finalist for 1/2K Prize for Poetry judged by Geffrey Davis)
“Abecedarian Sea Snot Sculpture Garden” & “Yiayiá X & The Great Salt Lick,” Hayden’s Ferry Review, Issue 72 (“Re-mix”) (Spring/Summer 2023)
“Endangered Dialect Lesson: Five Revisions,” Inverted Syntax, Issue 4 (2022, Winner of the Sublingua Prize for Poetry & nominated for Pushcart Prize)
“Little Alps of Grief,” Ruminate Magazine, Double Issue 63/64 Annual Prize Anthology (2022, Winner of 2022 Poetry Prize selected by Rajiv Mohabir)
“Abecedarian Picnic with Yiayiá X at Blood Falls,” Crab Creek Review (2022, Semi-finalist for the 2022 Poetry Prize judged by C. Dale Young)
“Song, in Perpetuity,” Grist, Issue 12 (2019, Nominated for Pushcart Prize & Best New Poets)
“Divine Interval” & “Elegy (The Summer I Learned To Swim),” Crab Creek Review (2018, Semi-finalists for the 2018 Poetry Prize judged by Maggie Smith & nominated for Pushcart Prize)
“Immaculate Acres,” The Poetry Annals, “The Anatomy of Desire: An Anthology of Distance” (2018)
“Intimate Contact,” Bellevue Literary Review, Issue 34 (2018, Finalist for the Marica and Jan Vilcek Prize for Poetry judged by Rachel Hadas & nominated for Best New Poets)
Online
“Solid Objects: Elisávet Makridis,” Hayden’s Ferry Review, Solid Objects Series (2023)
“Meditation on the Sources of Magnificent Desolation” & “Panic Grass,” The Hunger (2019)
“Clockwork Dream,” Tupelo Quarterly, Issue 16, Vol. IV (2018, Finalist for the Poetry Open Prize judged by Jennifer Chang)
“Propulsion,” Frontier Poetry (2018)